Showing posts with label personal. Show all posts
Showing posts with label personal. Show all posts

Wednesday, 22 April 2009

Still alive...



After some consideration I've decided to move my regular Marginalia feature into my Twitter feed, which seems more suited to these quick-fire links than composing long blog entries that only repeat what's included in the link in the first place. Click on the image above to view my Twitter page, and feel free to add me.

As for this blog, I will devote my efforts here to writing longer, reflective pieces on a number of issues that concern me: my ongoing research into early modern information overload (and its implications for the modern day), open access (and related copyright concerns), the digital humanities (and the fruits of my digital labour), and any call for papers related to my area of research.

Thanks for reading, and I hope to have more up soon.

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Saturday, 7 March 2009

Marginal Notes, vol. 2

Apologies for the delay - I'm currently working on a funding proposal, and catching up on my Open University "Reading Classical Latin" course, so it's been a busy period for me. Still, without further ado, here's a collection of noteworthy links. I've organised them a little better this time, but expect these updates on a bi-weekly basis in future.

So to begin...

Higher Education
Thomas Benton argues that it's just not worth going to grad school anymore in his article in the Chronicle of Higher Education. He puts this down to "a shrinking percentage of positions in the humanities that offer job security, benefits, and a livable salary", but I can't help but wonder if the same applies to many professions in today's economic climate.

Speaking of the tough economic climate, the New York Times asserts that the Humanities must justify their worth as higher education institutions are faced with painful cuts - implying that the Humanities are somehow less valuable than other disciplines and therefore need to explain why they are still necessary in changing socioeconomic times.

Meanwhile, on this side of the pond the arts and humanities have seen a dramatic decrease in research funding following this week's announcement of how funding will be distributed as a result of the RAE (see the full tables for how much funding was allocated to each discipline here). Although it all seems pretty bleak, Anthony Grafton rightly points out that if we don't start posing the tough but necessary questions now, then "we will see another generation’s relationship [w]ith the university ruined by our refusal to face and discuss facts."

On the brighter side of all this, Geoffrey Rockwell reminds us that these next few years will present opportunities as well as challenges: "Let us build something that celebrates what we do together rather than begging apart", he says, and proposes some credible starting theses. He ends with a rousing call to arms:

"Do research not regrets and hold out your hand to those less fortunate as you would want a hand held out to you. Be liberal in your arts and humanity and the liberal arts will thrive"
Here here!

Digital Humanities
As I think about what sort of employment I'd like to take up when my PhD is all over, I do wonder about the possibility of doing work on digital research tools at some (fantastical) higher education institution someplace. Imagine it - to obtain funding to write code to create a programme to be used in the pursuit of humanistic learning, and then write papers on how these tools might be used for the benefit of teachers and researchers. Well, Caveat Lector has a similar vision, but implies that the odds are stacked against those like myself who see this as a credible employment option: "A very, very few digital humanists will run the entire vicious gauntlet and survive in regular humanities departments". At the same time, the University of Lethbridge is playing with the idea of establishing a course which provides "skills, knowledge, and experience a typical undergraduate ought to have if they were to be certified as being basically competent in contemporary web technologies alongside their core domain", indicating that these are necessary skills for graduates, and such skills are nurtured in certain (praiseworthy) institutions.

Speaking of web technologies, it's worth noting that Zotero 1.5b1 has just been released, and much is already being written about how we can use its new features together with other applications in meaningful ways.

Finally, in a lengthy but engaging piece posted last year, Kathleen Fitzpatrick proposes a new way forward for academic publishing in the digital age. Fitzpatrick's appropriation of scholarly terms within a digital framework ("scholars must consider how peer review might usefully transform into something more like peer-to-peer review”) reinforces the need for institutions to reassess their outdated modes of academic review and publication, just as the electronic publishing units should seek to adopt "a broader view of textual structures, seeking not just the replacement for print-on-paper but an updating of the codex for a networked environment". Well worth a read.

Website Focus
The Guardian has recently put together a list of 1000 Novels Everyone Must Read, usefully broken down into categories including "Science fiction & fantasy", "War & travel", "State of the Nation" etc - thanks to bookn3rd for pointing it out. Also sourced via bookn3rd is a remarkable online exhibition called Making Visible Embryos; compiled by the University of Cambridge's Department of History and Philosophy of Science, the site illuminates key questions and concerns by "contextualizing images [of human embryos] that have become iconic or were especially widely distributed in their own time" - weird and wonderful stuff.


And Finally...

Hark! A Vagrant is a webcomic by Katie Moira featuring an array of famous (and indeed infamous) historical figures. Ever wondered how Mary Shelley felt in that remote Swiss villa with Lord Byron and her husband? Find out by clicking the image above!

Last week I finally received my copy of Eluvium's boxset, Life Through Bombardment. Eluvium, a.k.a Matthew Cooper, is an ambient electronic musician who incorporates a variety of instruments into his ethereal palette, and the boxset (containing all of his releases) was well worth the money and the wait. The artwork was drawn by Jeannie Paske, and I strongly urge you to visit her website to see more samples of it. If Elvium's work sounds like something you could get into, then why not try downloading the following track from his latest release, Copia (right-click and save): Prelude For Time Feelers

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Sunday, 22 February 2009

A logo for your perusal

Put together a logo today (see above) for the purpose of including it in a screencast I spent all day working on. Do let me know if you object to the colour scheme.

As for the screencast - once it's finished and I'm happy with it I'll link to it on this blog, in the hope that I might just get some feedback on the content, and on the screencast itself.

Marginal Notes will follow as soon as I get a moment to compile the entry. Sorry!

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Sunday, 12 October 2008

Introducing...

Seeing as I've linked to this blog in my University of Exeter e-profile, I guess I should start writing in it on the off chance that someone might actually want to read something. So consider this my introductory post.

About me: I'm a research student at the University of Exeter's English department, pursuing a full-time PhD in early modern English literature. I won't bore you with the details of my research project at this point - the details will emerge as I go along, I'm sure.

I've been at Exeter for some time now - I did my BA here, and then my MA immediately after. I then took a year out and got some work experience, although I didn't stray far from the university - in fact, after a period working as a Teaching Assistant at a comprehensive school in the city I ended up back at the university again, working as a database assistant in the Development and Alumni Relations Office (a fancy name-tag for their fundraising department). I did that for six months before taking up my present role as part-time Finance Assistant in the same office. Again, I won't bore you with the details about what I do at work - you may be subjected to the occasional rant about it during one of these posts. I'll just say at this point that the best thing about this job is that it pays enough for me to live comfortably whilst doing my PhD, and that's good enough for me right now.

Now that my biography is out of the way I can move on to explain why I created this blog and what sort of things you can expect to see in it.

First off, this is not going to be a collection of dreary research abstracts - the tone will be intentionally (though perhaps not consistently) light, but the subject matter will be restricted to matters relating to my PhD, or to postgraduate study in general. I used to write in Livejournal as a teenager (A Catalogue of Neural Impulses was the name of that blog) , but I grew tired of the pretentious, inconsequential ramblings I voiced to the indifferent world in it. This blog isn't a new home for the same adolescent voice, but it is by no means written solely for the benefit of postgraduate research students (though they will admittedly benefit the most from it).

My desire to start blogging again in the first place stems from my frustration with the apparent lack of online resources for postgraduate resrearch students specialising in my own field - early modern English literature (a broad term, but one I'll refine as I go along for your benefit). In the weeks leading up to the start of my PhD I scoured the Internet for tools that might help me, or guide me, or simply reassure me as I embark on this solitary expedition. There are some, but they're not easy to find, so I see it as my duty here to publicise what's out there, and to add something of my own as well. What that 'something' is remains to be seen - I'm currently teaching myself some PHP, so we'll see what comes of that. This blog alone should be good enough in the meantime.

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